A simple news aggregator for audio engineers, record producers, and music enthusiasts.

Sound on Sound

  • Rode VideoCaster gains NDI support
  • Wayne Jones Audio Special Pricing Offer
  • OBSO: debut instrument from Circle Cynths
  • Frozen Plain Dulcitone
  • Zoom unveils new H6studio Handy Recorder

SonicScoop

  • The Psychology of Finalization: Why Finishing The Mix Feels So Hard
  • Mixing Doesn’t Have to Be Hard. (THIS Makes Mixing Easy.)
  • Picking Winners: The Art of Mixing with Contrast
  • Best Mastered Albums According to Audiophiles
  • The Best New Compact Studio Monitors? (ADAM Audio D3V Compared)

Mix Magazine

  • SSL to Debut Cloud Enhancements at NAB 2025
  • Allen & Heath Avantis Solo—A Mix Real-World Review, Part 4
  • Mix Best of Show Awards at NAB Deadline Extended!
  • Røde Launches 24/7 Customer Call Support
  • Boss Katana:Go Headphone Guitar Amp Gets Spatial…Again

Tape Op

  • New Deftones LP: Private Music
  • New Jeff Tweedy song and video, “Feel Free”
  • Superchunk's new album, Songs in the Key of Yikes, is out now!
  • New Album from Raymond Antrobus and Evelyn Glennie: Aloud
  • New Music From John Cale, Gunna, The Black Keys, and More!

The Pro Audio Files

  • 10 Plugins for Mixing With Headphones (+ Production Tips)
  • How to Use ChatGPT to Improve Your Music Productions
  • 14 Favorite Channel Strip Plugins (+ Mix Tips)
  • 9 Tips for Recording Strings
  • 8 Techniques for Compressing Vocals in a Mix

r/AudioEngineering

  • Should I use a bus or apply effects to the track itself?
  • r/AudioEngineering Shopping, Setup, and Technical Help Desk
  • Whats your favorite mixbus compressor?
  • Learn How to Use MIDI - The Ultimate Guide to Get Started
  • Early AMS Neve 1081 Classic question

Resolution Magazine

  • Pro Tools 2022.9 – new features
  • Leapwing Audio’s Joe Chiccarelli plug-in
  • McDSP APB plug-ins now run natively on Intel & Apple silicon
  • New vocal tuning plug-in from Synchro Arts
  • Waves Spherix immersive compressor & limiter

MusicTech

  • Four Tet’s production hack for creating “a world” within his tracks so...
  • BandLab mobile users can now experiment with beats for free before buy...
  • Dyson launches “audio-only” headphones (this time, they don’t feature...
  • ‘Bad Gear’ guy says Uli Behringer is “up there with Elon Musk” as a “t...
  • Mass global IT outage hits music producers – BandLab and FL Studio use...

Attack Magazine

  • Inside the Machines with qrauer and Tape Shifter
  • Caroline Lethô
  • Classic Music Company Marks 30 Years with Book and Vinyl Compilation S...
  • Cubase Pro 14 Modulators – Redefining Creative Automation
  • Cody Chase: Biggest Frustration? Followers Over Talent

Pro Sound News

  • Flock Audio Relocates to Texas
  • Nashville’s High End TV Updates Truck
  • Tracking With Immersive Music in Mind, Part 1
  • Tyler, The Creator Creates A Pop-Up Show to Remember
  • Finessing The Sound of The Funeral Portrait

Pro Sound Web

  • EXPO Arena Matsuri In Japan Outfitted With Martin Audio
  • CODA Audio Introduces New SPACE HUB Producer
  • L-Acoustics For Dude Perfect “Hero Tour” Of The U.S.
  • Meyer Sound Delivers For Three Landmark Golden Gate Park Events
  • The Freedman Group Partnering With Audinate

Audio Technology Magazine

  • dbTechnologies Product Launch
  • NI Scrapes Together New Virtual Instrument
  • Searching for Sound
  • Review: Point Source Audio Embrace EO-7Lh
  • Sound for Beetlejuice The Musical

Audio Engineering Society

  • Professor Angelo Farina, 1958–2025
  • Mark F. Davis, 1946 – 2025
  • AES 2021 Election Results
  • New AES APEI Webinar to Focus on Audio Product Test and Manufacturing...
  • The Audio Engineering Society Announces Plans to "Reconnect" During Up...

Women’s Audio Mission

  • WAMCon Los Angeles 2024
  • NEW EPISODE: WAMCast Episode 1: Finding Your Audio Allies
  • Livestream Replay of Building Your Career in Audio at Gold Diggers Sou...
  • 2023 Fall Intern Final Cover Song Project
  • WAM + KQED Present Roles on a Podcast Team: Career Panel

SoundGirls

  • New Resource for Music Professionals
  • Laura Moeller • Live Sound • Theatre • Education
  • DiGiCo Training – U.K. SoundGirls
  • Consistent Listening
  • Navigating Noise Sensitivity in Audio

Waves

  • Beginner’s Guide to Writing Vocal Harmonies: Music Theory Tips
  • Maluma Chooses Waves to Mix Live Broadcast on Amazon Music Prime
  • Metal Icons Queensrÿche Choose eMotion LV1 Mixer for 2022 Tour
  • eMotion LV1 Live Mixer Chosen for Karol G at Coachella 2022
  • Pink Floyd Co-Founder Nick Mason’s 2022 Echoes Tour Mixed with Waves

Bobby Owsinski

  • Country Music Historian Don Cusic On My Latest Podcast
  • New Music Gear Monday: Cre8audio Assembler Desktop Keyboard Mixer
  • Live And Studio Engineer Dennis Moody On My Latest Podcast
  • New Music Gear Monday: Tracktion StageBox Plugin Host For Live Perform...
  • How Spinal Tap Actually Influenced Volume Controls Everywhere

Audio Hertz

  • The top 9 most popular music producer memes of 2022
  • The top 9 most popular music producer memes of 2021
  • What the f*ck is an audio oscillator?
  • The top 9 most popular music producer memes of 2020
  • The best gifts to get for music producers in 2020

Gearspace

  • The success of AI music creators sparks debate on future of music indu...
  • Hybrid setups on the rise?
  • ATC SCM 20A's blown woofer?
  • The search for the Orbit string
  • Paiste cymbal sound mystery

New Product Alert

  • Safari Pedals releases: Noam's Mastering Console
  • W.A.Production - Noizzer
  • Audict releases Soprana" Solo Soprano [AI-P Range]
  • Audiority Big Swarma - The Ultimate Voice Multiplier & Feedback Pl...
  • Spitfire Audio announces Abbey Road Orchestra: Symphonic Woodwinds

Gear News

  • Play Like Your Idols: The Best Signature Guitars for Every Budget
  • Eventide H3000 Alternatives: Sounds of the famous Ultra-Harmonizer
  • Victory Amps Unveils Enhanced Duchess MKII Range
  • Amsterdam Dance Event 2025: The Highlight of the Electronic Music Scen...
  • PPG W2.2×4 Eurorack Module – Available Now!

The Recording Revolution
  • New to Recording? Try This
  • Bad Mixing Advice
  • Setting Up a Home Studio (Start Here)
  • Stereo the WRONG Way #phase
  • Distortion: Vocal Secret Sauce

In The Mix
  • FL Studio's New Mastering Limiter is ALMOST Perfect...
  • Get Feedback for YOUR Music - Submit your music using the link below
  • Mixing Your Music Live - Submit your music using the link below
  • Remix Contest Winners Announcement
  • Get Feedback on YOUR music #19 - Submit your music using the link bel...

Produce Like A Pro
  • Labor Day Free Gift: PRODUCING COUNTRY MUSIC with ‘You’re Not My Dad’
  • Blending 2 Genres: The Police
  • Songwriting Formula: The Cure
  • Cheap Trick - Live At The Budokan.. Or Is It?
  • How To EQ A Kick Drum On The SSL Revival 4000

Make Pop Music
  • Ranking The BEST and WORST Generic Production Advice
  • Fixing My Subscriber's Song... (IN ONE HOUR!)
  • How To Get INCREDIBLE Indie Pop Guitar Tones (Mk.Gee, Mac DeMarco, LAN...
  • How To Make A K-Pop Song (KPop Demon Hunters, Blackpink, Saja Boys, Ae...
  • The SECRET To Getting Professional Quality Vocals (WITH NO EXTRA PLUGI...

Mix With The Masters
  • Mixing strings with Michael Brauer
  • Capturing deep emotions in production with Atticus Ross
  • Kevin Davis mixing vocals for Jennifer Hudson | Sneak Peek
  • Analog emulations with Tom Elmhirst
  • Nk.F Remixing 'Démons' by Angèle (feat. Damso) | Trailer

PureMix
  • Drum Sound Analysis: Mastering Consistent Audio Hits #shorts
  • Inside The Mix: “Wolf in Rabbit’s Clothes” with Matt Ross-Spang | Pure...
  • Song Breakdown: Bass, Drums, and Vocal Arrangement #shorts
  • Mix Like a Pro: Unleash Your Creative Potential #shorts
  • Octave Magic: How a Song's Chorus Works! #shorts

Red Means Recording
  • Discord Monthly Challenge Listening Party: August 2025 (Percussion Onl...
  • Polyend Mess: Sequenceable Effects Are Neat
  • What the Heck Is Melody?!
  • Remixing Disclosure With Only FM Drums
  • Disclosure, Anderson .Paak - NO CAP (Digidrum Remix)

Pensado’s Place
  • Pianist / Arranger, Micah McLaurin - Pensado's Place #593
  • An Evening at Verse with Chef Oscar Torres and Manny Marroquin - Pensa...
  • Multiplatinum Producer / Songwriter, Harmony "H-Money" Samuels - Pensa...
  • Head of Artist Relations for NI, iZotope, & Plugin Alliance, Dave...
  • Producer / Mixer, Richie Beretta - Pensado's Place #589

Reid Stefan
  • Too many plugins on your computer? Plugin Station App 🔥
  • Making a beat with my Voice and AI | Sonarworks SoundID VoiceAI 🔥
  • Producing Orchestral Hip Hop Beats in Ableton 12 | SoundID Voice AI
  • How to setup Dolby Atmos 7.1.4 in a Home Studio 🔥
  • How to Setup Dolby Atmos 7.1.4 in a Home Studio

Making Records with Eric Valentine
  • MFTL JAM#2 (Fragile In The Flesh) Mix Contest - WINNER SELECTED!!
  • Mix Deconstruction - Proper Dose - The Story So Far - Highlights
  • Quick Update 8 12 25 (Recording, Mix Contest, Mix Deconstruction Comin...
  • Most From The Least Jam#2 Mix Contest!
  • Most From The Least Jam #2 - FOLLOW UP

Ken Andrews
  • Episode 15 - Failure Update
  • Episode 14 - My Personal Studio - 2021
  • Episode 13.3 Mixing Hard Rock Vocals & Stereo Buss Processing with...
  • Episode 13.2 Mixing Underoath's "On My Teeth"
  • Invitation Video

Middle 8
  • Why has Vampire Weekend never had a hit?!
  • Does The Dare sound too much like LCD Soundsystem?
  • I'm so over brat
  • 8 Years Later: How I See You Changed The xx Forever
  • Bowie Knew He Was Dying When He Made This

Junkie XL
  • Furiosa Score Available Now!
  • As #FURIOSA approaches, let’s look back at #FuryRoad!
  • Here's a taste of FURIOSA! #shorts #futiosa
  • Here's a taste of FURIOSA! #shorts #furiosa
  • Custom Guitar Amplifiers: Demo and Walkthrough

Streaky
  • Depth Tricks They All Use (Why Your Mix Sounds Flat)
  • This Makes Mixing Easier
  • Drum Processing Trick Your Mix Needs
  • 30 Mix Tips in 3 Minutes (You’ll Wish You Knew Sooner)
  • How To Limit a Track Louder.. #MusicProduction #AudioMastering #Studio...

Adam Neely
  • The Ludacris song that BROKE my brain
  • The Harmonic Genius of Lau Noah
  • 🔒Locked🔒 (sungazer live in Tokyo)
  • Touring in Canada be like…
  • The Ethics of Fake Guitar

Sound Field
  • Why The Funkiest Music Is Coming From Brazil
  • How to Make ANYTHING Funky (feat. @NikWestBass )
  • The Hustle isn’t just disco—it’s a dance rooted in Latin rhythms!
  • The Hustle isn’t just disco—it’s a dance rooted in Latin rhythms!
  • What Do DJs Even DO?

Guy Michelmore
  • MORE composing in 90 secs! #composer
  • What's the Secret Sauce? Master Counter Melodies and Raise Your Game
  • B double flat?? 🤷🏻
  • MA Audio Post-production [New Course]
  • Guy Goes Wild.....(again)

Broken Record (Rick Rubin)
  • 🌀Infinity Song performs “Lotus” LIVE at Tribeca Festival for #BrokenRe...
  • Infinity Song LIVE at Tribeca Festival: Jay-Z, Family Bands and Creati...
  • Margo Price shares what country music really means to her | Broken Rec...
  • Ben Gibbard on the differences in writing for Death Cab for Cutie &...
  • Margo Price on 'Hard Headed Women,' and inauthenticity in mainstream c...

Two Minute Music Theory
  • We Need To Define "Music"...and "Theory"
  • Four Types of Music Theory #musictheory
  • Music Theory Is Hard To Define #musictheory
  • The Scope of Music Theory #musictheory
  • The Purpose of the Music Theory Classroom #musictheory

Music Matters
  • Cool Extended Chord Progressions 4 - Music Composition
  • Improvising Effective Answering Phrases - Music Performance
  • French Composers' Contribution to Baroque Music - Maestros August Live...
  • How to Organise Gaps Between Voices - Voice Leading
  • Debussy's Haunting Tonality - Composer Insights

Rick Beato
  • David Gilmour on his guitar style #davidgilmour #pinkfloyd #guitar #sh...
  • This Changes How You See the Entire Guitar Neck
  • This Changes How You See the Entire Guitar Neck
  • Am I The Only One Who Gives A Sh*t?
  • The Beatles' 1965 Songwriting Blueprint Explained

Working Class Audio

  • WCA #558 with Ady Parzentny
  • WCA #557 with Assaad Lakkis
  • WCA #556 with Toby Lloyd
  • WCA #555 Pierre de Reeder
  • WCA #554 with Mark Pistel

Song Exploder

  • Key Change: Jia Tolentino
  • Episode 297: Fall Out Boy
  • Episode 296: Gigi Perez
  • Key Change: Jason Schwartzman
  • Episode 295: Goo Goo Dolls

Unstoppable Recording Machine

  • SCOTT ATKINS (CRADLE OF FILTH, SYLOSIS, ANDY JAMES)
  • CODY MATTHEW JOHNSON (Online Hate, Video Game Music, and Metal)
  • EP 398 | TANK THE TECH: The dirty truth about touring, disaster manage...
  • EP 397 | THE ZENITH PASSAGE: Technical Brutal Death Metal Vs Brutal Te...
  • EP 396 | Jens Bogren and Ihsahn

And The Writer Is…

  • Ep. 218: Conan Gray | Wishbone; How a Bedroom Dreamer Became a Global...
  • Ep. 217: Rodney Jerkins | How He Turned Belief Into Hits — And Changed...
  • Key Moment: Ryan Tedder | How to Be Irreplaceable
  • Ep. 216: Ryan Tedder (pt.3) | The Truth About Fame & How to Win in...
  • Key Moment: Russ | What Every Artist Needs to Know (10-Minute Blueprin...

Twenty Thousand Hertz

  • Yahoo! The Yodel Heard Around the World
  • Super Mario Bros: Koji Kondo’s 8-Bit Masterpiece
  • Sound Off: Pinball Pings, Borrowed Melodies & Airport Acoustics
  • Mixing Madison Square Garden for Vulfpeck’s Biggest Show
  • The Music of Jeopardy! From a Lullaby to $100,000,000

Tonebenders

  • 324 - Black Mirror
  • 323 - The Righteous Gemstones & Pee-wee as Himself
  • 322 – The Sound Of Star Trek Roundtable
  • 321 – The Sound of The Last Of Us & The Penguin
  • 320 - Adolescence

Gear Club

  • Inside the Ramones Atmos Remixes with Ed Stasium
  • How Do the Ramones Sound in 3D?
  • Updating Punk Classics: Ed Stasium Talks Mixing the Ramones, Talking H...
  • Why Did Zopa Record on Analog?
  • Michael Imperioli and John Agnello on their influences

Popcast

  • Popcast (Deluxe): Lizzo, Travis Scott and the Limits of Persona
  • J. Cole, Triumphant (at His Own Pace)

The Mastering Show

  • The Mastering Show #100 - Matt Boudreau from Working Class Audio inter...
  • The Mastering Show #99 - Recording, mixing and mastering acoustic guit...
  • The Mastering Show # 98 - Stem mastering, Atmos and dynamics at Abbey...
  • The Mastering Show # 97 - Should you learn mastering FIRST ?! (with Ke...
  • The Mastering Show # 96 - Flippin' Clippin' ! Is it REALLY everything...

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